Art Blart writing

Research and writing posted on Art Blart by Dr Marcus Bunyan
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Dr Marcus Bunyan
Text: 'Facile, Facies, Facticity' by Dr Marcus Bunyan; Exhibition: 'About Face: Contemporary Portraiture' at the Nelson-Atkins Museum of Art, Kansas City http://wp.me/pn2J2-52L Photo: Michael Wolf, American (b. 1954) 'Tokyo Compression #18' 2010
Text: ‘Facile, Facies, Facticity’ by Dr Marcus Bunyan; Exhibition: ‘About Face: Contemporary Portraiture’ at the Nelson-Atkins Museum of Art, Kansas CityArt Blart _ art and cultural memory archive
Text: 'Facile, Facies, Facticity' by Dr Marcus Bunyan; Exhibition: 'About Face: Contemporary Portraiture' at the Nelson-Atkins Museum of Art, Kansas City http://wp.me/pn2J2-52L Photo: Michael Wolf, American (b. 1954) 'Tokyo Compression #18' 2010
a man in a red suit and tie with a bird on his lapel collar
D-Construction: deliberate masculinities in a discontinuous world
Text: "D-Construction: deliberate masculinities in a discontinuous world" on the exhibition 'Masculinities: Liberation through Photography' at the Barbican Art Gallery, London, June 2020. Photo: Rineke Dijkstra (Dutch, b. 1959) 'Montemor, Portugal, May 1, 1994' 1994
a black and white photo of a snake on top of a shelf next to a wall
Book review: ‘The Lumen Seed’ by Judith Crispin (2016)Art Blart _ art and cultural memory archive
Book review: 'The Lumen Seed' by Judith Crispin (2016). "This book addresses the stories of the Warlpiri people of Lajamanu through conversation, poetry, drawings and photographs, a book that should be compulsory reading for all Australians." Photo: Judith Crispin. 'Sacred Object #1' Nd Muffler painted by Warlpiri artists
an old tree with fruit growing on it's branches in the middle of a field
Atget's shadow
Text: "Atget's shadow," on his Paris photographs, August 2020. Eugène Atget (French, 1857-1927) 'L’Oranger (with Shadow of Photographer and His Camera)' 1900
an old building on the corner of a street
A call for help!
Dear friends of Art Blart. A call for help! Just putting this out there in the ether... I am looking for a research fellowship or postdoc work in photography anywhere in the world. I have been writing Art Blart now for 10 years… a lot of research and writing for this cultural memory archive, perhaps used as the basis for a book on the spirit of photography in the 21st century. But I am open to any research project. If you have any ideas please let me know at bunyanth@netspace.net.au.
several people standing in an art gallery looking at artwork on the floor and one woman is holding her hand out
Essay: ‘Made ready: A Philosophy of Moments’ Dr Marcus Bunyan / Exhibition: ‘Reinventing the Wheel: the Readymade Century’ at the Monash University Museum of Art (MUMA), MelbourneArt Blart _ art and cultural memory archive
Essay : 'Made ready: A Philosophy of Moments' Dr Marcus Bunyan http://wp.me/pn2J2-4NU Download this essay as a pdf http://www.marcusbunyan.com/assets/pdf/blog/bunyan-made-ready-2013.pdf (9.8Mb pdf) Text © Dr Marcus BunyanPhoto: Andrew Liversidge. 'IN MY MIND I KNOW WHAT I THINK BUT THAT’S ONLY BASED ON MY EXPERIENCE' (installation photograph) 2009 10,000 $1 coins (AUD) 30.0 x 30.0 x 30.0 cm Courtesy of the artist and The Commercial Gallery, Sydney. Photo: Joyce Evans
an old black and white photo of some people
Text: “The Book of Memory” extract from Paul Auster’s ‘The Invention of Solitude’ 1982Art Blart _ art and cultural memory archive
Text: "The Book of Memory" extract from Paul Auster's 'The Invention of Solitude' 1982 http://wp.me/pn2J2-4Or Dr Marcus Bunyan. "Because these pictures are the unspeakable." Photo: Marcus Bunyan. 'Untitled (family)' 2005 From the series 'Photos my mother sent me' 2005
a black and white photo of a man with suspenders standing in front of a wall
Marcus Bunyan PhD research 'Pressing the Flesh: Sex, Body Image and the Gay Male'
Text: "Re-Pressentation" chapter from Marcus Bunyan's PhD research 'Pressing the Flesh: Sex, Body Image and the Gay Male', RMIT University, Melbourne, 2001. Photo: Marcus Bunyan (Australian born England, b. 1958) 'Glenn, Darlinghurst, Sydney' 1992
an old book with the title australian aboriginal art
Australian Aboriginal Art
Pamphlet: 'Australian Aboriginal Art' with texts by Charles Barrett and A.S. Kenyon, National Museum of Victoria, 1952, August 2020. Unknown artist. Cover of the pamphlet Australian Aboriginal Art, National Museum of Victoria, 1952
an old black and white photo of men standing in front of a building
Prospect/us, protect us: plague and resumption in fin de siècle Sydney
Text: 'Prospect/us, protect us: plague and resumption in fin de siècle Sydney' on John Degotardi Jr.'s 'The Plague Albums', Sydney, 1900. Abstract This text examines the photographs of John Degotardi Jr., photographer for the New South Wales Department of Public Works, who produced 6 photographic albums containing 379 photoprints of the plague in The Rocks, Sydney, 1900, also known as 'The Plague Albums'.
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a group of people walking down a street holding signs and banners in front of buildings
Marcus Bunyan. "Nothing emerges from nothing"
Text: Marcus Bunyan. "Nothing emerges from nothing," Foreword to 'We Had Such High Hopes: Student Activism and the Peace Movement 1949-1952, A Photographic Memoir by Joyce Evans' 2019 Joyce Evans OAM book has now been published by Australian Scholarly Publishing and is available to be purchase from their website. READ THE FOREWORD AND SEE THE IMAGES BY VISITING THE LINK Joyce Evans (Australian, 1929-2019) 'University Labour Club banner, May Day March, Flinders Street, Melbourne' 1951
an old brick building with a red door on the side and snow on the ground
Text: Marcus Bunyan. ‘Death and the image’ 2018Art Blart _ art and cultural memory archive
Text: Marcus Bunyan. 'Death and the image' 2018. "This text investigates how the act of photography visually writes trauma. Through an analysis of the context of images of death by artists such as Alphonse Bertillon, Weegee, Robert Capa, Alexander Gardner, and Walker Evans the paper ponders how the camera captures human beings ante-mortem, at the death point, post-mortem and vita ad mortem." 8,137 words Photo: Chloe Dewe Mathews. 'Former Abattoir, Mazingarbe, Nord-Pas-de-Calais' 2013
the text is written in black and white
Research at the State Library of VictoriaArt Blart _ art and cultural memory archive
MISERABLE RESEARCH EXPERIENCE ON THE CHARLES MARVILLE PHOTOGRAPHS AT THE STATE LIBRARY OF VICTORIA http://wp.me/pn2J2-59w Dr Marcus Bunyan. "I don't usually get upset but this is an exception, and rightly so. They say that any publicity is good publicity but not in this case..." Text: Extract from page 205 of Reynaud, Françoise. “Marville and Old Paris,” in Kennel, Sarah. Charles Marville: Photographer of Paris. Washington: National Gallery of Art, 2013.
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