Fashion

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Sonia Delaunay's Fabric and Feminism
Wearing the Pierrot-Éclair costume designed by Sonia Delaunay, on the set of René Le Somptier’s film Le P’tit Parigot, 1926
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Jean Patchett, February Vogue 1949..note the cascading, tiered layering of this flowing dress with short caplet top...so formal & so feminine. Photo Irving Penn
Model in a Schiaparelli ensemble in front of Brancusi's "Bird in Space" sculpture, photo by Louise Dahl-Wolfe, 1939
Model in a Schiaparelli ensemble in front of Brancusi's "Bird in Space" sculpture, photo by Louise Dahl-Wolfe, 1939
Ruffles Ruffles Ruffles - Mood Sewciety
Ruffles Ruffles Ruffles | Making your own clothes gives you the creative freedom to step outside your comfort zone and take fashion risks. Then enters this dress with a million ruffles I probably wouldn't have looked twice but have since fallen in love.
Sonia Delaunay review – the woman who made colour dance gets a knockout show
ARTIST - SONIA DELAUNAY is now rightly seen as a stronger and more complex artist than her husband, who died in 1941. Although the Delaunays were regarded as collaborators in a single artistic project, the truth was never so simple. Far from retreating into the applied arts and stereotypical “women’s work”, Delaunay sought instead to extend art into the everyday.
10 Classic Hairstyles Tutorials That Are Always In Style
1920’s Hairstyles A collection of 1920’s... | THE VINTAGE THIMBLE
1924 Bobbed Hairstyles. Illustration from an article titled "The Battle for Bobbed Hair" in "Photoplay Magazine," June 1924.
Elsa Schiaparelli, Excelsior Modes, 1936
Elsa Schiaparelli, Excelsior Modes, 1936
Schiaparelli, 1936 Photo André Durst
A satin dress, center, straight and clenched with a metal slide, and an ottoman friar cape, right, from Schiaparelli, 1936 Photographed by André Durst