Petra Cortright: Post-Internet Art in the Social Media Age  | Los Angeles | Artbound | KCET

Petra Cortright: Post-Internet Art in the Social Media Age | Los Angeles | Artbound | KCET

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Artist Maurice Mbikayi explores the effects of technology on identity and history, as well as how it has impacted Africa both positively and negatively. His art combines recycled materials such as old keyboard parts to telephone cords

Artist Maurice Mbikayi explores the effects of technology on identity and history, as well as how it has impacted Africa both positively and negatively. His art combines recycled materials such as old keyboard parts to telephone cords

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|| | Bitsbits bits____________________ ///////////////ЯOSΛ MEИKMΛN~~~@~~~DIRDIRDIR A:??blogspot?____________________________________| ||

|| | Bitsbits bits____________________ ///////////////ЯOSΛ MEИKMΛN~~~@~~~DIRDIRDIR A:??blogspot?____________________________________| ||

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The group is able to collaborate effortlessly in reading posts whenever they want and post similar things that lead off if interested.

The group is able to collaborate effortlessly in reading posts whenever they want and post similar things that lead off if interested.

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"The procrastination of memory" Interesting idea for a contemporary issue/ art history based project

"The procrastination of memory" Interesting idea for a contemporary issue/ art history based project

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BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

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BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

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