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Early on, the roles that Blacks portrayed in any form of media was the "mammy" "uncle tom" "buck" "wench/jezebel" "mulatto" or "pickaninny" Sometimes, most times, blacks weren't even cast by blacks. They had whites in blackface portray Blacks on stage.


Ned Haverly, grandson of J.H. Haverly who ran the United Mastodon Minstrels. Since he learned his act from one of the great 19th century minstrels shows, we get a good glimpse into how minstrel shows really looked and sounded.


The Black and White Minstrel Show - we hadn't heard of PC in those days!


The American minstrel performer Japanese Tommy, aka Thomas Dilward, circa 1860. Brady-Handy Photograph Collection. "Thomas Dilward (1840–1902), also known by the stage name Japanese Tommy, was an African American dwarf who performed in the blackface minstrel show". (Wiki)

from mirror

Was The Black & White Minstrel Show the most racist TV programme ever?

Was The Black and White Minstrel Show the most racist TV programme ever? Plus Minipops, Heil Hitler I'm Home and Blachman - Mirror Online


Racist Symbols At the turn of the century, African Americans were most often portrayed in a very racist manner.  The image above is a lithograph advertising a Minstrel show, which is a typical racist image of the day.  The black man is portrayed as a fat lazy man, guarding his watermelon patch.  Three black children are shown attempting to steal the black man's watermelons. The image was created by the Strobridge Lithograph company in 1900, and portrays Blacks in a very negative manner.


You are viewing a picture portraying a Minstrel. This is a lithograph advertising the William West Minstrel Show. The Lithograph was created in 1900, by the Strobridge Lithograph Company. Minstrel shows involved white men painting their faces black, and then putting on a show. The shows typically portrayed blacks as ignorant and of low class. The Minstrel show provided entertainment at the expense of African Americans.


March 19, 1894 Loretta Mary Aiken (Jackie “Moms” Mabley), stand-up comedienne, was born in Brevard, North Carolina. At the age of 15, Mabley ran away to Cleveland, Ohio with a travelling minstrel show where she began singing and entertaining.By the 1950s, she was one of the top women doing stand-up and earning $10,000 per week at the Apollo Theater.


US Slave: About the Banjo by Tony Thomas....The banjo is a product of Africa. Africans transported to the Caribbean and Latin America were reported playing banjos in the 17th and 18th centuries, before any banjo was reported in the Americas. Africans in the US were the predominant players of this instrument until the 1840s. Banjo playing became popular in white culture as a result of the Blackface Minstrel shows that became a popular form of entertainment in the 1830s and 1840s.