nan Goldin professed that photography was a stand in for memory, she unabashedly photographing drag queens, drug addicts, and night time lurkers that made up her circle of friends

nan Goldin professed that photography was a stand in for memory, she unabashedly photographing drag queens, drug addicts, and night time lurkers that made up her circle of friends

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A look at the book of Nan Goldin’s influential, intensely personal visual diary marks its 30th anniversary.

A look at the book of Nan Goldin’s influential, intensely personal visual diary marks its 30th anniversary.

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Nan Goldin's "One month after being battered". Goldin seems to like the idea of capturing her mood at certain periods of life in her self portraits, rather than the "make-up" of her identity. She often uses assisting colours in her self portraits, to enhance the feelings she is experiencing.

Nan Goldin's "One month after being battered". Goldin seems to like the idea of capturing her mood at certain periods of life in her self portraits, rather than the "make-up" of her identity. She often uses assisting colours in her self portraits, to enhance the feelings she is experiencing.

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