nan Goldin professed that photography was a stand in for memory, she unabashedly photographing drag queens, drug addicts, and night time lurkers that made up her circle of friends

nan Goldin professed that photography was a stand in for memory, she unabashedly photographing drag queens, drug addicts, and night time lurkers that made up her circle of friends

Nan Goldin's "One month after being battered". Goldin seems to like the idea of capturing her mood at certain periods of life in her self portraits, rather than the "make-up" of her identity. She often uses assisting colours in her self portraits, to enhance the feelings she is experiencing.

Nan Goldin's "One month after being battered". Goldin seems to like the idea of capturing her mood at certain periods of life in her self portraits, rather than the "make-up" of her identity. She often uses assisting colours in her self portraits, to enhance the feelings she is experiencing.

nan goldin’s legendary portraits of disaffected youth get new life

nan goldin’s legendary portraits of disaffected youth get new life

nan goldin, rise and monty on the lounge chair, nyc, from the series ballad of sexual dependency.

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