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Oum Kalthoum, Masjid tiles. The duration of Umm Kulthum's songs in performance was not fixed, but varied based on the level of emotive interaction between the singer and her audience and Umm Kulthum's own mood for creativity. An improvisatory technique, which was typical of old classical Arabic singing, and which she executed for as long as she could have, repeating a single line or stance over and over, subtly altering the emotive emphasis and intensity and exploring one or various musical…

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Consultez des articles uniques chez artboutiqueonline sur Etsy, une place de marché internationale réservée au fait main, au vintage et aux choses créatives.

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Tribute stamp to Omm Kalthoum from 1975, the year of her passing. Attached is video footage of her funeral http://www.youtube.com/watch?v=cKWG0n4vZIk

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The legend of classical Arab music; Umm Kulthum, in the early days of her singing career performing at The Bosphorus club in Cairo on the 23rd of August 1927.

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Umm Kulthum was born in the village of Tamay ez-Zahayra belonging to the city of El Senbellawein, Dakahlia Governorate, in the Nile Delta. Her birth date is unconfirmed, as birth registration was not enforced throughout the Arab world in that era.

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from Twitter

Haya on

.:::: PINTEREST.COM christiancross :::: +++ الزعيم و كوكب الشرق OM KALTHOUM SANG FOR KING FOUAD, KING FAROOQ AND NASSER. WHEN OM KALTHOUM REFUSED TO SING FOR SADAT, SHE DIED PREMATURELY.. JEHANE SADAT AND OM KALTHOUM WERE ARCH ENEMIES

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