Zhang Peili. Still from 30x30, 1988. Collection of the artist, Hangzhou.

Still from Collection of the artist, Hangzhou.

Video still; Scott Cotterell, Romantic Conceptualism, 2014. Photograph courtesy of the artist and Contemporary Art Tasmania. Reviewed in Eyeline contemporary visual arts, issue 83.

Video still; Scott Cotterell, Romantic Conceptualism, 2014. Photograph courtesy of the artist and Contemporary Art Tasmania. Reviewed in Eyeline contemporary visual arts, issue 83.

Scott Cotterell, Romantic Conceptualism, 2014. Photograph Courtesty of the artist and Contemporary Art Tasmania. Reviewed in Eyeline contemporary visual arts, issue 83.

Scott Cotterell, Romantic Conceptualism, 2014. Photograph Courtesty of the artist and Contemporary Art Tasmania. Reviewed in Eyeline contemporary visual arts, issue 83.

Taeyoon Kim, Steady Griffins, 2014. Five channel video, random loop, colour, no audio. Photograph Mike Richards. Taeyoon Kim review, Eyeline contemporary visual arts issue 85.

Taeyoon Kim, Steady Griffins, 2014. Five channel video, random loop, colour, no audio. Photograph Mike Richards. Taeyoon Kim review, Eyeline contemporary visual arts issue 85.

Fiona McMonagle, One hundred days at 7pm, 2015. Still from single-channel video animation, 00:00:16, looped. Courtesy of the artist, Heiser Gallery, Brisbane and Olsen Irwin, Sydney. Winner of the National Self-Portrait Prize 2015. Art of the Selfie. National Self Portrait Prize. Reviewed in eyeline contemporary visual arts, issue 85.

Fiona McMonagle, 'One hundred days at single channel video animation, looped. Animator and videographer: Declan McMonagle. Image courtesy the artist; and Olsen Irwin, Sydney.

The Propeller Group, The Living Need Light, The Dead Need Music, 2014. Still. Single channel projection, 25:15mins. Reviewed in eyeline contemporary visual arts, issue 85.

The Living Need Light, the Dead Need Music de The Propeller Group

Clemens von Wedemeyer, The Beginning. Living Figures Dying, 2013. Exhibition view KOW, Berlin. Photograph Ladislav Zajac. Courtesy Clemens von Wedemeyer and KOW, Berlin. Review in Eyeline contemporary visual arts, issue 85.

Clemens von Wedemeyer Works from Cast Behind You The Bones Of Your Mother at KOW "If works of art carried as little social and political significance as some

Clemens von Wedemeyer, Procession, 2013. Video Still. © Clemens von Wedemeyer and VG Bild-Kunst, Bonn. Courtesy Clemens von Wedemeyer and KOW, Berlin. Review in Eyeline contemporary visual arts, issue #85.

Clemens von Wedemeyer, Procession, 2013. Video Still. © Clemens von Wedemeyer and VG Bild-Kunst, Bonn. Courtesy Clemens von Wedemeyer and KOW, Berlin. Review in Eyeline contemporary visual arts, issue #85.

Clemens von Wedemeyer, Procession, 2013. Video Still. © Clemens von Wedemeyer and VG Bild-Kunst. Courtesy Clemens von Wedemeyer and KOW, Berlin. Review in Eyeline contemporary visual arts, issue 85.

Clemens von Wedemeyer, Procession, 2013. Video Still. © Clemens von Wedemeyer and VG Bild-Kunst. Courtesy Clemens von Wedemeyer and KOW, Berlin. Review in Eyeline contemporary visual arts, issue 85.


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