Gilbert & George, The Art Exhibition. Installation view Mona. Photograph Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart.  Review in Eyeline contemporary visual arts, issue 85.

Gilbert & George, The Art Exhibition. Installation view Mona. Photograph Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart. Review in Eyeline contemporary visual arts, issue 85.

Danius Kesminas, Tuna Shoved Up a Tuna Hole, 2002. Cast fibreglass, acrylic paint & wood, 128 x 60 x 13cm. Courtesy the artist and Darren Knight Gallery, Sydney.  Eyeline contemporary visual arts issue 49.

Danius Kesminas, Tuna Shoved Up a Tuna Hole, 2002. Cast fibreglass, acrylic paint & wood, 128 x 60 x 13cm. Courtesy the artist and Darren Knight Gallery, Sydney. Eyeline contemporary visual arts issue 49.

Alex Selenitsch, monoton eeeeeee, 1969. Plastic letters on enamel on composition board, 71.5 x 60 x 4cm. Heide Museum of Modern Art, Melbourne. Gift of Alex Selenitsch and Merron Selenitsch, 2011. © Reproduced courtesy of the artist, grahame galleries + editions, Brisbane, and Place Gallery, Melbourne.  Review, Eyeline contemporary visual arts, issue 81.

Alex Selenitsch, monoton eeeeeee, 1969. Plastic letters on enamel on composition board, 71.5 x 60 x 4cm. Heide Museum of Modern Art, Melbourne. Gift of Alex Selenitsch and Merron Selenitsch, 2011. © Reproduced courtesy of the artist, grahame galleries + editions, Brisbane, and Place Gallery, Melbourne. Review, Eyeline contemporary visual arts, issue 81.

Eloise Kirk, Black Smoker. Detail, Contemporary Art Tasmania. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Black Smoker. Detail, Contemporary Art Tasmania. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Smoke Follows Beauty, 2015. Acrylic and collage, 83 x 63cm. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Smoke Follows Beauty, 2015. Acrylic and collage, 83 x 63cm. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Nimbo, 2016. Collage, resin, acrylic and binder, 50 x 38cm. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Nimbo, 2016. Collage, resin, acrylic and binder, 50 x 38cm. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Other Masses, 2016. Collage, resin and pigment, 65 x 48cm. Review, Eyeline contemporary visual arts, issue 85.

Eloise Kirk, Other Masses, 2016. Collage, resin and pigment, 65 x 48cm. Review, Eyeline contemporary visual arts, issue 85.

Julie Robinson, The loud wound, 2015. Woollen felt, thread, stainless steel, half a bushel of wheat, approx 230 x 150 x 50cm. Review in Eyeline contemporary visual arts, issue #85.

Julie Robinson, The loud wound, 2015. Woollen felt, thread, stainless steel, half a bushel of wheat, approx 230 x 150 x 50cm. Review in Eyeline contemporary visual arts, issue #85.

Olya Kroytor, Attention, 2015. Collage, 31 × 22.5cm. Courtesy Artwin Gallery. Art Dubai 2016. Reviewed in eyeline contemporary visual arts, issue 85.

Olya Kroytor, Attention, 2015. Collage, 31 × 22.5cm. Courtesy Artwin Gallery. Art Dubai 2016. Reviewed in eyeline contemporary visual arts, issue 85.

Gilbert & George: The Art Exhibition. Photograph Mona/Rémi Chauvin. Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia.  review in eyeline contemporary visual arts, issue 85.

Gilbert & George: The Art Exhibition. Photograph Mona/Rémi Chauvin. Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia. review in eyeline contemporary visual arts, issue 85.


More ideas
Gilbert & George, The Art Exhibition. Installation view Mona. Photograph Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart.  Review in Eyeline contemporary visual arts, issue 85.

Gilbert & George, The Art Exhibition. Installation view Mona. Photograph Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart. Review in Eyeline contemporary visual arts, issue 85.

Gilbert & George, BOMBERS, 2006. Mixed media, 336 x 493cm. Courtesy of the artists and White Cube.  Review in Eyeline contemporary visual arts, issue 85.

Gilbert & George, BOMBERS, 2006. Mixed media, 336 x 493cm. Courtesy of the artists and White Cube. Review in Eyeline contemporary visual arts, issue 85.

arriving at mona by boat Tasmania.....omg so many steps!...check

arriving at mona by boat Tasmania.....omg so many steps!...check

Ryoji Ikeda spectra Tasmania Dark Mofo, Hobart, 13/06/2013 - Photograph by Rémi Chauvin

Ryoji Ikeda spectra Tasmania Dark Mofo, Hobart, 13/06/2013 - Photograph by Rémi Chauvin

Scar tissue by Fiona Hall - all knitted out of video tapes - amazing! - MONA, Tasmania

Scar tissue by Fiona Hall - all knitted out of video tapes - amazing! - MONA, Tasmania

United Visual Artists '440 Hz' Interactive light + sound installation at the Museum of Old and New Art (MONA) as part of the On the Origin of Art exhibition in Hobart, 2016 - Photographed by NOMA*

United Visual Artists '440 Hz' Interactive light + sound installation at the Museum of Old and New Art (MONA) as part of the On the Origin of Art exhibition in Hobart, 2016 - Photographed by NOMA*

Tasmania's MONA (Museum of Old and New Art) sits largely hidden in the cliffs. #Australia

World's Coolest Futuristic Buildings

Tasmania's MONA (Museum of Old and New Art) sits largely hidden in the cliffs. #Australia

A remarkably Escher-esque capture of the internal staircases of the Museum of Old and New Art (MONA) in #Hobart, thanks to @ffourie. Arguably one of the most controversial private collections of modern art and antiquities in the world, MONA  is described by its owner as a 'subversive adult Disneyland'.

A remarkably Escher-esque capture of the internal staircases of the Museum of Old and New Art (MONA) in #Hobart, thanks to @ffourie. Arguably one of the most controversial private collections of modern art and antiquities in the world, MONA is described by its owner as a 'subversive adult Disneyland'.

The+Golden+Hour+at+MONA,+Hobart #travel #Australia #Hobart

The+Golden+Hour+at+MONA,+Hobart #travel #Australia #Hobart

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