L2M2AS2Aa From the South Shore. Manual Exposure compensation. Taken a couple of hours after sunrise (I hope that still fits the brief!)  D810, Sigma 24mm Art Prime, Hoya ND1000 10 stop filter, Tiffen Digital circular polariser, 25 sec exposure, f/16, ISO 64, cropped to remove vignette from stacked filters, B&W conversion in silver effex pro 2. Original colour image had a purple and green sheen across the water, not sure if this was a light leak. Any advice?

L2M2AS2Aa From the South Shore. Manual Exposure compensation. Taken a couple of hours after sunrise (I hope that still fits the brief!) D810, Sigma 24mm Art Prime, Hoya ND1000 10 stop filter, Tiffen Digital circular polariser, 25 sec exposure, f/16, ISO 64, cropped to remove vignette from stacked filters, B&W conversion in silver effex pro 2. Original colour image had a purple and green sheen across the water, not sure if this was a light leak. Any advice?

L2M2AP1 Sunrise with exposure compensation. Nikon D810, Sigma 50mm Art Prime, 1/250, f/10, ISO 160, Exposure Bias -1ev, tripod mounted, 3 exposures with AE lock, stitched in photoshop, final adjustments to bring down white clipping from over exposure of sun in lightroom.

L2M2AP1 Sunrise with exposure compensation. Nikon D810, Sigma 50mm Art Prime, 1/250, f/10, ISO 160, Exposure Bias -1ev, tripod mounted, 3 exposures with AE lock, stitched in photoshop, final adjustments to bring down white clipping from over exposure of sun in lightroom.

L2M1AP2 Ugly light, Nikon D810, Sigma 50mm Art Prime, 3 sec, f/16, ISO 64. 3 frames with AE lock stitched in photoshop,Trying to capture a cityscape  sunset, the weather was just dull, and the light was flat with no dimension. I spent time adjusting settings, to get the best exposure, then hammered the image in lightroom to bring out the depth and colour

L2M1AP2 Ugly light, Nikon D810, Sigma 50mm Art Prime, 3 sec, f/16, ISO 64. 3 frames with AE lock stitched in photoshop,Trying to capture a cityscape sunset, the weather was just dull, and the light was flat with no dimension. I spent time adjusting settings, to get the best exposure, then hammered the image in lightroom to bring out the depth and colour

L2M2AS2Aa From the South Shore. Manual Exposure compensation. Taken a couple of hours after sunrise (I hope that still fits the brief!)  D810, Sigma 24mm Art Prime, Hoya ND1000 10 stop filter, Tiffen Digital circular polariser, 25 sec exposure, f/16, ISO 64, cropped to remove vignette from stacked filters, B&W conversion in silver effex pro 2. Original colour image had a purple and green sheen across the water, not sure if this was a light leak. Any advice?

L2M2AS2Aa From the South Shore. Manual Exposure compensation. Taken a couple of hours after sunrise (I hope that still fits the brief!) D810, Sigma 24mm Art Prime, Hoya ND1000 10 stop filter, Tiffen Digital circular polariser, 25 sec exposure, f/16, ISO 64, cropped to remove vignette from stacked filters, B&W conversion in silver effex pro 2. Original colour image had a purple and green sheen across the water, not sure if this was a light leak. Any advice?

L2M1AP2 Ugly light, Nikon D810, Sigma 50mm Art Prime, 3 sec, f/16, ISO 64. 3 frames with AE lock stitched in photoshop,Trying to capture a cityscape  sunset, the weather was just dull, and the light was flat with no dimension. I spent time adjusting settings, to get the best exposure, then hammered the image in lightroom to bring out the depth and colour

L2M1AP2 Ugly light, Nikon D810, Sigma 50mm Art Prime, 3 sec, f/16, ISO 64. 3 frames with AE lock stitched in photoshop,Trying to capture a cityscape sunset, the weather was just dull, and the light was flat with no dimension. I spent time adjusting settings, to get the best exposure, then hammered the image in lightroom to bring out the depth and colour

L2M2AP1 Sunrise with exposure compensation. Nikon D810, Sigma 50mm Art Prime, 1/250, f/10, ISO 160, Exposure Bias -1ev, tripod mounted, 3 exposures with AE lock, stitched in photoshop, final adjustments to bring down white clipping from over exposure of sun in lightroom.

L2M2AP1 Sunrise with exposure compensation. Nikon D810, Sigma 50mm Art Prime, 1/250, f/10, ISO 160, Exposure Bias -1ev, tripod mounted, 3 exposures with AE lock, stitched in photoshop, final adjustments to bring down white clipping from over exposure of sun in lightroom.

L1M1AS3 Nikon D810, Nikkor DX 16-85mm, Sot in DX Crop mode at 16mm. 1/500, ISO 800. Composite HDR

L1M1AS3 Nikon D810, Nikkor DX 16-85mm, Sot in DX Crop mode at 16mm. 1/500, ISO 800. Composite HDR

L3M2AS2 Monkey Mia jetty, Dawn. Nikon D810, 24mm Sigma Art, 120 Sec, f/14, ND10 Filter. ISO 100 WB 3550K. Taken just before sunrise, I wanted the silhouette of the Jetty against the silk smooth water. I deliberately kept the image as simple as possible. Adjustments to levels and saturation made in light room. I used the clone tool to remove a small yacht on the horizon which moved on its moorings during the long exposure.

L3M2AS2 Monkey Mia jetty, Dawn. Nikon D810, 24mm Sigma Art, 120 Sec, f/14, ND10 Filter. ISO 100 WB 3550K. Taken just before sunrise, I wanted the silhouette of the Jetty against the silk smooth water. I deliberately kept the image as simple as possible. Adjustments to levels and saturation made in light room. I used the clone tool to remove a small yacht on the horizon which moved on its moorings during the long exposure.

L3M2AS2c Melbourne HDR. Nikon D810, Sigma 24mm Art, f/13, ISO 64, Three Frames Bracketed at 2/3 stop 1/10 sec, 1/20 sec, 1/15 sec.

L3M2AS2c Melbourne HDR. Nikon D810, Sigma 24mm Art, f/13, ISO 64, Three Frames Bracketed at 2/3 stop 1/10 sec, 1/20 sec, 1/15 sec.

L3M2AS2c Yarra Panorama, Nikon D810, Sigma 24mm Art, 2 frames merged in Photoshop, 1/15 sec, f/16. Final adjustments to vibrance and levels made in Lightroom

L3M2AS2c Yarra Panorama, Nikon D810, Sigma 24mm Art, 2 frames merged in Photoshop, 1/15 sec, f/16. Final adjustments to vibrance and levels made in Lightroom

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