Hamish Vallance

Hamish Vallance

Hamish Vallance
More ideas from Hamish
"Gates of mammon, packers hell"; Non Naturalism convention of mythology is shown throughout the play-script, emphasis on the large story that Tiga tells, his Homeric Journey

"Gates of mammon, packers hell"; Non Naturalism convention of mythology is shown throughout the play-script, emphasis on the large story that Tiga tells, his Homeric Journey

Tiga is consistently down in the monologue; as much as he gets distracted and excited, he always turns to empathy at parts, becoming sad. This can be with a downturned face with puppie dog eyes through expressions, slowed down movements and a performance which begs for sympathy

Tiga is consistently down in the monologue; as much as he gets distracted and excited, he always turns to empathy at parts, becoming sad. This can be with a downturned face with puppie dog eyes through expressions, slowed down movements and a performance which begs for sympathy

Distraction for Tiga; "honking swan"

Distraction for Tiga; "honking swan"

Contextual images of the scenes background, St Kilda streets are seen as not entirely busy, almost a homey, family feel to them without bustling streets such as near crown casino

Contextual images of the scenes background, St Kilda streets are seen as not entirely busy, almost a homey, family feel to them without bustling streets such as near crown casino

Smell the golf green; depending on these large environments, as an actor Tiga might take longer to pass these locations if seen as realistic, showing in the perfomance the size of the locations that Tiga runs though. However, if employing Non Naturalism, then less time and direction are needed in crafting locations and spaces of them

Smell the golf green; depending on these large environments, as an actor Tiga might take longer to pass these locations if seen as realistic, showing in the perfomance the size of the locations that Tiga runs though. However, if employing Non Naturalism, then less time and direction are needed in crafting locations and spaces of them

The pier is one of the moments in the scene which proves Tiga's empathy is an important part of the context of the scene, as his realization of home shows this

The pier is one of the moments in the scene which proves Tiga's empathy is an important part of the context of the scene, as his realization of home shows this

Aerial_view_of_St_Kilda_Foreshore_Promenade.jpg (800×534)

Aerial_view_of_St_Kilda_Foreshore_Promenade.jpg (800×534)

Melbourne_from_Waterfront_City,_Docklands_Pano,_20.07.06.jpg (3333×1000)

Melbourne_from_Waterfront_City,_Docklands_Pano,_20.07.06.jpg (3333×1000)