this is in a league of her own. Magnificent. beatingHeart Thank you!
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Opera coat
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A gold lamé and black velvet opera coat, circa 1920s, featuring a black velvet pouf collar and cuffs, as well as a rayon satin lining. No size or label present.
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Yves St. Laurent, fall/winter 1983–84. The Metropolitan Museum of Art
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advance 8257 | Advance 8257
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Wilhelmina
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“Sun Dial” Opera Coat
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1908 wool coat
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Here is a very rare and totally fabulous 1920s silk velvet opera coat with the biggest, light gold coloured velvet ruched and padded collar that I have ever seen! It has no fastenings and is designed to be worn open. The collar falls to the waist of the coat and runs all around the front and back of the shoulders. The sleeves have velvet bands applied to the top of the base velvet fabric and the bottom of the coat also has an applied velvet band. It is lined in a cream coloured silk.
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Opera coat (view 2) Paul Poiret (French, Paris 1879–1944 Paris) Date: 1912 Culture: French Medium: silk, metal Dimensions: Length at CB: 16 1/2 in. (41.9 cm) Credit Line: Purchase, Irene Lewisohn Bequest, 1982 Accession Number: 1982.350.2
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Vogue 9292; ©1957; Cape "Very Easy to Make". Long full cape has optional shaped collar. Arm opening in seams. [insert your photos of this pattern made up] [insert your username, and make sure your preferences allow for people to contact you via e-mail. Do not list your email address here!]
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Crimson silk satin is a beautiful fabric for an elegant 1960s opera coat
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Opera coat of wine red silk velvet. Floor-length. Long, full sleeves have shirred accents below elbows. Attached scarf neckline is shirred around neck; left end forms a loop and right end passes through to form closure. Left side wrap closure of self-covered buttons and loops at neck and left hip. Lined in ivory crepe. Label at back collar: A Registered / Original Design / with Fashion Originates Guild
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Cristobal Belenciaga Evening Coat. Label: BALENCIAGA 10, AVENUE GEORGE VPARIS Autumn/Winter 1949. Purple velvet; rollel collar; gathered from front yoke, front opening with wrapped buttons. It uses the texture of high-quality velvet to the fullest, with a simple yet highly calculated cut. The rolled collar puts emphasis on the wearer's slender neck, which gives the coat an even more dramatic look.
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GIVENCHY 1953
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1900s COAT. Opera coat. More details on http://www.mfa.org/collections/object/opera-coat-576339 #1900 #coat #vintage
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Brown velvet opera coat, Compagnie Lyonnaise, Paris, ca. 1910. Draped dolman sleeves, rouleaux edging, and frogging fasteners with large paste inset Directoire style buttons. Back and front skirt panels applied with imitation Gros Point de Venise lace. Lined in floral chiffon. Kerry Taylor Auctions
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Mme. Jeanne Paquin (French, 1869), House of Paquin (French, 1891-1956). Opera coat, 1912. The Metropolitan Museum of Art, New York. Gift of Mrs. Edwin Stewart Wheeler, 1956 (C.I.X.56.2.1)
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