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1740. The Demon Hiranyaksha (detail). a Bhagavata Purana scene.Pahari school by Manaku. Guler, India.

1740. The Demon Hiranyaksha (detail). a Bhagavata Purana scene.Pahari school by Manaku. Guler, India.

Four Love Scenes and a Landscape: from a Dispersed Raskapriya, ca. 1700. Bundi India

Four Love Scenes and a Landscape: from a Dispersed Raskapriya, ca. 1700. Bundi India

Vibhishana Leaves Lanka and his brother Ravana, to join Rama  & advise him in his attack of Lanka. 1790 India. detail

Vibhishana Leaves Lanka and his brother Ravana, to join Rama & advise him in his attack of Lanka. 1790 India. detail

Dialogue between Krishna and Arjuna on the battlefield of Kurukshetra. Bhagavad Gita  ca. 1820.

Dialogue between Krishna and Arjuna on the battlefield of Kurukshetra. Bhagavad Gita ca. 1820.

King Dasaratha and His Retinue Proceed to Rama's Wedding:  Shangri II Ramayana Series by the Bahu Masters ca. 1700, Jammu, India  detail

King Dasaratha and His Retinue Proceed to Rama's Wedding: Shangri II Ramayana Series by the Bahu Masters ca. 1700, Jammu, India detail

Vasant Ragini: ca. 1630/40 Malwa. A verse describes the scene: “[She] has rubbed ash on her body . . .[and] remembers, in her heart, [her] husband . . . [as she sits] in the courtyard of the hermitage. The dark clouds appeared from the four directions, followed by the birds and brilliant lightning.”

Vasant Ragini: ca. 1630/40 Malwa. A verse describes the scene: “[She] has rubbed ash on her body . . .[and] remembers, in her heart, [her] husband . . . [as she sits] in the courtyard of the hermitage. The dark clouds appeared from the four directions, followed by the birds and brilliant lightning.”

1605 Mughal Emperor Jahangir Watching an Elephant Fight. Servants hold fireworks on poles to control the direction of the action. An early work still influenced by the Safavid Style of Persia by Farrukh Chela. Gold detail in the margins added in the e. 18th C.

1605 Mughal Emperor Jahangir Watching an Elephant Fight. Servants hold fireworks on poles to control the direction of the action. An early work still influenced by the Safavid Style of Persia by Farrukh Chela. Gold detail in the margins added in the e. 18th C.

In the foreground, a female musician sits before a hunting tower playing a sitar, while an antelope stands transfixed before her by the music. From the turret of the tower, Krishna gestures toward a leopard retreating over the horizon. The scene is in a typical Rajasthan rocky landscape filled with stunted trees, a favored setting for Kota court paintings.

In the foreground, a female musician sits before a hunting tower playing a sitar, while an antelope stands transfixed before her by the music. From the turret of the tower, Krishna gestures toward a leopard retreating over the horizon. The scene is in a typical Rajasthan rocky landscape filled with stunted trees, a favored setting for Kota court paintings.

The Mahabharata vedic knowledge ancient History Documentary - YouTube

The Mahabharata vedic knowledge ancient History Documentary - YouTube

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