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2 | The Beautiful Illustrations That Made Poe's Stories Terrifying In 1919 | Co.Design | business + design

2 | The Beautiful Illustrations That Made Poe's Stories Terrifying In 1919 | Co.Design | business + design

the nightingale by harry clarke

the nightingale by harry clarke

THESE RARE IMAGES, DRAWN TO ACCOMPANY AN EARLY COLLECTION OF POE’S DARKER SHORT STORIES, HEARKEN BACK TO A GOLDEN AGE OF COMMERCIAL ILLUSTRATION.

The Beautiful Illustrations That Made Poe’s Stories Terrifying In 1919

THESE RARE IMAGES, DRAWN TO ACCOMPANY AN EARLY COLLECTION OF POE’S DARKER SHORT STORIES, HEARKEN BACK TO A GOLDEN AGE OF COMMERCIAL ILLUSTRATION.

Away she drove, scarce able to contain herself with joy.  Harry Clarke, from The fairy tales of Charles Perrault, London, 1922.

Away she drove, scarce able to contain herself with joy. Harry Clarke, from The fairy tales of Charles Perrault, London, 1922.

“I think I fell in love with her...But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped...She probably didn't even know I was there. But I'll always love her. All my life”  ― Neil Gaiman,  The Sandman, Vol. 8: Worlds' End

16 Wonderful Photos Of Women Writers At Work

“I think I fell in love with her...But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped...She probably didn't even know I was there. But I'll always love her. All my life” ― Neil Gaiman, The Sandman, Vol. 8: Worlds' End