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Workshop of Hans Holbein the Younger (German, 1497/98–1543). Portrait of a Man (Sir Ralph Sadler?), 1535. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.28) #mustache #movember

Workshop of Hans Holbein the Younger (German, 1497/98–1543). Portrait of a Man (Sir Ralph Sadler?), 1535. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.28) #mustache #movember

Bartolomé Esteban Murillo (Spanish 1618–1682) [Baroque] Don Andrés de Andrade y la Cal, ca. 1665-1672. Metropolitan Museum of Art, New York.

Bartolomé Esteban Murillo (Spanish 1618–1682) [Baroque] Don Andrés de Andrade y la Cal, ca. 1665-1672. Metropolitan Museum of Art, New York.

Francis Bacon - self portrait I find it interesting on how his distorted faces can represent alienation.

Francis Bacon - self portrait I find it interesting on how his distorted faces can represent alienation.

Unknown (Lima School, latin american colonial art), Portrait of a Young Woman , ca. late 18th century, Oil on canvas, 54 3/4'' x 39 1/4'', Museum purchase, Funded by Wellesley College Friends of Art, 2011.17 https://www.davismuseum.wellesley.edu/explore-the-collection/recent-acquisitions/portrait-of-a-young-woman

Unknown (Lima School, latin american colonial art), Portrait of a Young Woman , ca. late 18th century, Oil on canvas, 54 3/4'' x 39 1/4'', Museum purchase, Funded by Wellesley College Friends of Art, 2011.17 https://www.davismuseum.wellesley.edu/explore-the-collection/recent-acquisitions/portrait-of-a-young-woman

Portrait of Robert Clements, c. 1753, Pompeo Batoni, Hanover, New hampshire, Hood Museum of Art, Dartmouth College

Portrait of Robert Clements, c. 1753, Pompeo Batoni, Hanover, New hampshire, Hood Museum of Art, Dartmouth College

"Portrait of a Woman of the Hofer Family", c. 1470, by an unknown artist. "The sitter's family is identified by the inscription (born a Hofer), although her precise identity is unknown. She holds a forget-me-not, presumably for remembrance. On her headdress is a fly, either a symbol of mortality or a reminder of the artist's skills of illusion. The artist worked in Southern Germany; the portrait probably dates from about 1470."

"Portrait of a Woman of the Hofer Family", c. 1470, by an unknown artist. "The sitter's family is identified by the inscription (born a Hofer), although her precise identity is unknown. She holds a forget-me-not, presumably for remembrance. On her headdress is a fly, either a symbol of mortality or a reminder of the artist's skills of illusion. The artist worked in Southern Germany; the portrait probably dates from about 1470."

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