Walter Goodman British, 1838 - 1912 "The Printseller's Window", 1883 British Painting Oil on canvas 52 1/4 in. x 44 3/4 in. (132.72 cm x 113.67 cm) Marion Stratton Gould Fund, 98.75 Currently on View. Learn More: http://magart.rochester.edu/PRT2070?sid=481=20399=91
Francis William Edmonds (American, 1806–1863). The New Bonnet, 1858. The Metropolitan Museum of Art, New York. Purchase, Erving Wolf Foundation Gift and Gift of Hanson K. Corning, by exchange, 1975 (1975.27.1) #dogs
James Peale (American, 1749–1831). Still Life: Balsam Apple and Vegetables, ca. 1820s. The Metropolitan Museum of Art, New York. Maria DeWitt Jesup Fund, 1939 (39.52) | With its focus on lavish vegetable forms, this work resembles still lifes of the Spanish school.
Attributed to Jean-Augustin Franquelin (French, Paris 1798–1839 Paris). The Mariner's Wife. The Metropolitan Museum of Art, New York. The Whitney Collection, Promised Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003 (2003.42.31) #halloween #costume
John and Louisa Stock by Joseph Whiting Stock, 1845 US (Massachusetts), the Metropolitan Museum of Art When the Museum acquired this portrait, the sitters were mistakenly identified as the artist’s children; however, Stock, a paraplegic injured in an accident when he was eleven years old, never married. He painted only five portraits of this size before 1846, when his diary entries cease. One such canvas, almost certainly this one, depicted “John & Louisa Stock in group.&rd...