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http://thisevanescentsoul.files.wordpress.com/2012/06/simurgh-leftside_small.jpg için Google Görsel Sonuçları

http://thisevanescentsoul.files.wordpress.com/2012/06/simurgh-leftside_small.jpg için Google Görsel Sonuçları

http://fc07.deviantart.net/fs29/f/2008/134/8/9/Simurg____by_kontes_zoya_ossupov.jpg

http://fc07.deviantart.net/fs29/f/2008/134/8/9/Simurg____by_kontes_zoya_ossupov.jpg

Sikandar kills dragon - Sikandar reaches the Land of the Narmpay, how he fights and is victorious, how he kills a Dragon, ascends a Mountain, and is forewarned of his own Death

'Saz'-style Drawing of a Dragon amid Foliage by Shah Quli (active 1520-66) ca. 1540-50 Turkey, Istanbul Ink, opaque watercolor,and gold on paper

'Saz'-style Drawing of a Dragon amid Foliage by Shah Quli (active 1520-66) ca. 1540-50 Turkey, Istanbul Ink, opaque watercolor,and gold on paper

The tradition of drawings of dragons derived from Chinese art took a root in Iran under Timurid and Turkman rule during the fifteenth century. Dragons were a popular subject for drawings in Ottoman Empire executed in the so-called saz style, named for the saz qalami, or reed pen. Drawing attributed to Shah Quli, a Persian who became a leading painter at the court of the Ottoman sultan Süleyman the Magnificent (r. 1520–66).

The tradition of drawings of dragons derived from Chinese art took a root in Iran under Timurid and Turkman rule during the fifteenth century. Dragons were a popular subject for drawings in Ottoman Empire executed in the so-called saz style, named for the saz qalami, or reed pen. Drawing attributed to Shah Quli, a Persian who became a leading painter at the court of the Ottoman sultan Süleyman the Magnificent (r. 1520–66).

نبرد با اژدها، حدود 1600، قزوین Leaf from the Read Persian Album Persia, Qazvin ca. 1550 378 x 241 mm Item description: Since such batons were worn in Persia only during the rule of Shah Tahmāsp (r. 1524–76), the painting has been dated to about the middle of the century. Although the hero has a sword and bow, he attacks the dragon with his small dagger. Both the marvelously intertwined horse and dragon are spotted.

نبرد با اژدها، حدود 1600، قزوین Leaf from the Read Persian Album Persia, Qazvin ca. 1550 378 x 241 mm Item description: Since such batons were worn in Persia only during the rule of Shah Tahmāsp (r. 1524–76), the painting has been dated to about the middle of the century. Although the hero has a sword and bow, he attacks the dragon with his small dagger. Both the marvelously intertwined horse and dragon are spotted.

The charming manuscript images were sometimes assiduously copied from, and at other times simply inspired by, The Triumphs of Maximilian I. That the procession was itself imaginary makes the concept of embellishment more a stylistic contrast with the originals than in any sense a deviation from reality. The manuscript was produced in about 1700 (so it is claimed) and features captions in German. It may have been originally commissioned by the Hapsburg Archduke Albert of Austria (d. 1621) and…

The charming manuscript images were sometimes assiduously copied from, and at other times simply inspired by, The Triumphs of Maximilian I. That the procession was itself imaginary makes the concept of embellishment more a stylistic contrast with the originals than in any sense a deviation from reality. The manuscript was produced in about 1700 (so it is claimed) and features captions in German. It may have been originally commissioned by the Hapsburg Archduke Albert of Austria (d. 1621) and…

سیمرغ 1390 محمود فرشچیان El Simurg 2011 Obras maestras de la miniatura persa Artista Profesor Mahmud Farshchian

سیمرغ 1390 محمود فرشچیان El Simurg 2011 Obras maestras de la miniatura persa Artista Profesor Mahmud Farshchian

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