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'Anchorhold' (2013), Sutherland & Hussey Architects. 'Politics of Craft: After Ford 151', (2015) Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Anchorhold' (2013), Sutherland & Hussey Architects. 'Politics of Craft: After Ford 151', (2015) Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Anchorhold' (2013) Sutherland and Hussey Architects. 'Politics of Craft: After Ford 151', (2015) Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Anchorhold' (2013) Sutherland and Hussey Architects. 'Politics of Craft: After Ford 151', (2015) Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

Honest Shop, Giles Round. 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

Honest Shop, Giles Round. 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

From l to r: Wall painting 'Rabindranath Tagore', illustration by Jina Lee (2015); Kibbo Kift Costume (1930); Olivia and Celia Plender (2005) replica; Oak Latin Cross, Tom Philipson, 2014; Infocalypse Stack Data Ritual Necklaces, Juneau Projects (2013). 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, GSA Photo: Alan Dimmick

From l to r: Wall painting 'Rabindranath Tagore', illustration by Jina Lee (2015); Kibbo Kift Costume (1930); Olivia and Celia Plender (2005) replica; Oak Latin Cross, Tom Philipson, 2014; Infocalypse Stack Data Ritual Necklaces, Juneau Projects (2013). 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, GSA Photo: Alan Dimmick

Nova Popularna, 2003. Lucy Mckenzie nacida en Glasgow en 1977. En esta obra diseña su espacio interior, en su papel de feminista bohemia, subraya las semejanzas en cuanto a estética urbana entre Glasgow y los antiguos territorios socialistas de la Europa del Este, pero también se fija en la cualidad particular de esas ciudades que, ubicadas en la periferia del mundo del arte, permiten forjar ricas y diversas redes de actividad creativa.

Nova Popularna, 2003. Lucy Mckenzie nacida en Glasgow en 1977. En esta obra diseña su espacio interior, en su papel de feminista bohemia, subraya las semejanzas en cuanto a estética urbana entre Glasgow y los antiguos territorios socialistas de la Europa del Este, pero también se fija en la cualidad particular de esas ciudades que, ubicadas en la periferia del mundo del arte, permiten forjar ricas y diversas redes de actividad creativa.

'Monkey Tennis' Toby Jug, Grizedale Arts (2014). 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

'Monkey Tennis' Toby Jug, Grizedale Arts (2014). 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

Robot Arm, Tandy, 1982. 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

Robot Arm, Tandy, 1982. 'Politics of Craft: After Ford 151', (2015), curated by Grizedale Arts, Reid Gallery, The Glasgow School of Art Photo: Alan Dimmick

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