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Hannah Hoch, Liebe (1931) Hoch's photomontage brings composition, colour, and concept into perfect alignment. She was clearly one of the most talented, if not THE most talented collagist of her time. You have to wonder if her gender plays a part in her relative invisibility in the Dadaist annals...

Hannah Hoch, Liebe (1931) Hoch's photomontage brings composition, colour, and concept into perfect alignment. She was clearly one of the most talented, if not THE most talented collagist of her time. You have to wonder if her gender plays a part in her relative invisibility in the Dadaist annals...

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