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Art 16 postcards set MUSEUM OF VISUAL ARTS OF PUSHKIN / paintings, USSR 1984

Art 16 postcards set MUSEUM OF VISUAL ARTS OF PUSHKIN / paintings, USSR 1984

Andy Warhol   Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), 1984

Andy Warhol Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), 1984

Motherwell's path to becoming an abstract artist was through philosophy, art history, and poetry. He studied at Stanford, Harvard, and then Columbia, where he was introduced to émigré Surrealists (including Matta) by art historian Meyer Schapiro. His particular genesis as an abstractionist has its basis in Mallarmé, whose dictum "To paint, not the thing, but the effect it provides" was pivotal.

Motherwell's path to becoming an abstract artist was through philosophy, art history, and poetry. He studied at Stanford, Harvard, and then Columbia, where he was introduced to émigré Surrealists (including Matta) by art historian Meyer Schapiro. His particular genesis as an abstractionist has its basis in Mallarmé, whose dictum "To paint, not the thing, but the effect it provides" was pivotal.

Allegory in Painting lesson plan - would do differently but a good structure - yr 9-11

Allegory in Painting lesson plan - would do differently but a good structure - yr 9-11

one of the winners of the Turner Prize: "The Turner Prize was set up in 1984 and remains one of the best-known prizes for the visual arts" Helen Marten Limpet Apology (traffic tenses), 2015 Screen printing and painting on leather, suede, cotton, velvet; stained and sprayed Ash; folded steel; enamel paint on Balsa wood; airbrushed steel; magnets; inlaid Formica; Cherry 123 1/2 x 204 x 7 1/2 inches (313.7 x 518.2 x 19.1 cm)

one of the winners of the Turner Prize: "The Turner Prize was set up in 1984 and remains one of the best-known prizes for the visual arts" Helen Marten Limpet Apology (traffic tenses), 2015 Screen printing and painting on leather, suede, cotton, velvet; stained and sprayed Ash; folded steel; enamel paint on Balsa wood; airbrushed steel; magnets; inlaid Formica; Cherry 123 1/2 x 204 x 7 1/2 inches (313.7 x 518.2 x 19.1 cm)

Andy Warhol (American, 1928-1987)    Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), 1984     acrylic and silkscreen ink on linen    48 x 72 in. (121.9 x 182.9 cm.)    The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.    © The Andy Warhol Foundation for the Visual Arts, Inc.    1998.1.307

Andy Warhol (American, 1928-1987) Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), 1984 acrylic and silkscreen ink on linen 48 x 72 in. (121.9 x 182.9 cm.) The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © The Andy Warhol Foundation for the Visual Arts, Inc. 1998.1.307

Andy Warhol. Paolo Uccello, St. George and the Dragon 1460 from the series Details of Renaissance Paintings. (1984)

Andy Warhol. Paolo Uccello, St. George and the Dragon 1460 from the series Details of Renaissance Paintings. (1984)

Paul Wonner - Study of Flowers with Art Book, Marbles and View of San Francisco; 1984. Acrylic on paper, 40 x 28 inches (101.6 x 71.1 cm). Private Collection

Paul Wonner - Study of Flowers with Art Book, Marbles and View of San Francisco; 1984. Acrylic on paper, 40 x 28 inches (101.6 x 71.1 cm). Private Collection

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