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It's You on Vimeo - Documentation from installation at CAM Raleigh for the Born Digital exhibition, opening January 28, 2012 'Projected figures crowd around something that they obscure from the pedestrian’s view. When the pedestrian stands behind them, as if to look over their shoulders, they step aside to allow him a view onto what they’re looking at. The pedestrian can now see part of the unfolding scene, and he obscures the view for the other pedestrians.'

It's You on Vimeo - Documentation from installation at CAM Raleigh for the Born Digital exhibition, opening January 28, 2012 'Projected figures crowd around something that they obscure from the pedestrian’s view. When the pedestrian stands behind them, as if to look over their shoulders, they step aside to allow him a view onto what they’re looking at. The pedestrian can now see part of the unfolding scene, and he obscures the view for the other pedestrians.'

The most effective tool an animal shelter has it when it comes to getting pets adopted is the animals themselves. So the Battersea Dogs & Cat Home, a shelter in the UK, created a brilliant ad campaign that had dogs following potential owners from billboard to billboard as they walked through a shopping mall.

Dogs Follow People Across Billboards In This Clever Adoption Campaign

The most effective tool an animal shelter has it when it comes to getting pets adopted is the animals themselves. So the Battersea Dogs & Cat Home, a shelter in the UK, created a brilliant ad campaign that had dogs following potential owners from billboard to billboard as they walked through a shopping mall.

Jim Campell Lights exhibition, Madison Square Park

Jim Campell Lights exhibition, Madison Square Park

ICC ONLINE | アーカイヴ | 2013年 | オープン・スペース 2013 | 展示作品

ICC ONLINE | アーカイヴ | 2013年 | オープン・スペース 2013 | 展示作品

One Hundred and Eight is an interactive wall-mounted Installation mainly made out of ordinary garbage bags. Controlled by a microcontroller each of them is selectively inflated and deflated in turn by two cooling fans.   Although each plastic bag is mounted stationary the sequences of inflation and deflation create the impression of lively and moving creatures which waft slowly around like a shoal. But as soon a viewer comes close it instantly reacts by drawing back and tentatively following…

One Hundred and Eight is an interactive wall-mounted Installation mainly made out of ordinary garbage bags. Controlled by a microcontroller each of them is selectively inflated and deflated in turn by two cooling fans. Although each plastic bag is mounted stationary the sequences of inflation and deflation create the impression of lively and moving creatures which waft slowly around like a shoal. But as soon a viewer comes close it instantly reacts by drawing back and tentatively following…

360°

360frames times infinity [Cinder, iPhone]

360°

Prison Map is not a map -- it's a snapshot of the earth's surface, taken at various points throughout the United States. It was made by Josh Begley, a graduate student studying Interactive Telecommunications at New York University.

Prison Map is not a map -- it's a snapshot of the earth's surface, taken at various points throughout the United States. It was made by Josh Begley, a graduate student studying Interactive Telecommunications at New York University.

Life Support Systems:Vanda by Mateusz Herczka. Short documentary about Life Support Systems:Vanda, an artwork by Mateusz Herczka that received a distinction award at Ars Electronica 2005. See www.mateuszherczka.net for more information.

Life Support Systems:Vanda by Mateusz Herczka. Short documentary about Life Support Systems:Vanda, an artwork by Mateusz Herczka that received a distinction award at Ars Electronica 2005. See www.mateuszherczka.net for more information.

TWINSAND on Vimeo

TWINSAND on Vimeo

Self portrait,  rAndom:: ‘Self Portrait’ is the archetypal blank canvas. The installation engages you, the spectator, with a large-scale, ephemeral representation of yourself. All evidence of this encounter exists only in the moment of interaction between the viewer and the work.

Self portrait, rAndom:: ‘Self Portrait’ is the archetypal blank canvas. The installation engages you, the spectator, with a large-scale, ephemeral representation of yourself. All evidence of this encounter exists only in the moment of interaction between the viewer and the work.

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