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L2M1AS1 PART C:D GOLDEN TRIANGLE, SUBJECT IN CANDLELIGHT INDOORS, MANUAL WHITE BALANCE, VERTICAL SHOT, CROPPED IN LIGHT ROOM, NIKON D750, 50MM PRIME, F/4.0, 1/60, HAND HELD, NO FLASH, MANUAL KELVIN SCALE 2950, LR +.50 exposure, +50 shadows.

L2M1AS1 PART C:D GOLDEN TRIANGLE, SUBJECT IN CANDLELIGHT INDOORS, MANUAL WHITE BALANCE, VERTICAL SHOT, CROPPED IN LIGHT ROOM, NIKON D750, 50MM PRIME, F/4.0, 1/60, HAND HELD, NO FLASH, MANUAL KELVIN SCALE 2950, LR +.50 exposure, +50 shadows.

L2M1AS1 PART A:D P-MODE, SUBJECT STILL IN SHADOW/BRIGHT BACKGROUND - VERTICAL - USING EV +1.3, ISO50, 50mm f/1.6 1/80, HAND HELD

L2M1AS1 PART A:D P-MODE, SUBJECT STILL IN SHADOW/BRIGHT BACKGROUND - VERTICAL - USING EV +1.3, ISO50, 50mm f/1.6 1/80, HAND HELD

L2M1AS1 PART A:A - PMODE - FULL SUNLIGHT DARK BACKGROUND. EV -0.7, NIKON D750, ISO50, 50mm, f/10, 1/250, no flash, hand held, LR: Cropped, The exposure was adjusted down to prevent overexposure of the dark background that was being metered.

L2M1AS1 PART A:A - PMODE - FULL SUNLIGHT DARK BACKGROUND. EV -0.7, NIKON D750, ISO50, 50mm, f/10, 1/250, no flash, hand held, LR: Cropped, The exposure was adjusted down to prevent overexposure of the dark background that was being metered.

L2M1AS1 PART C:C USE TRIANGLE COMPOSITION EXAMPLE IN SHADOW OUTSIDE, MANUAL KELVIN SCALE, NIKON D750, 50mm PRIME, ISO50,  F/2.2, 1/800, MANUAL WB 6750, minor LR adjustments to Highlights, and shadow.

L2M1AS1 PART C:C USE TRIANGLE COMPOSITION EXAMPLE IN SHADOW OUTSIDE, MANUAL KELVIN SCALE, NIKON D750, 50mm PRIME, ISO50, F/2.2, 1/800, MANUAL WB 6750, minor LR adjustments to Highlights, and shadow.

L2M1AS1 PART B:C P-MODE – WITH PROGRAM SHIFT FOR EXPOSURE COMPENSATION USING AE LOCK, NIKON D750, 50mm Prime, ISO250, f/9.0, 1/320, no flash, hand held, horizontal orientation. Using AE Lock, the metering was done in the mid tone section of the plant, to alleviate highlights on the flower petals.  Using the AE Lock and then re-composing, the photo is exposed quite evenly throughout, bringing out some of the detail in the shadows without clipping the petals, which were in full sunshine.

L2M1AS1 PART B:C P-MODE – WITH PROGRAM SHIFT FOR EXPOSURE COMPENSATION USING AE LOCK, NIKON D750, 50mm Prime, ISO250, f/9.0, 1/320, no flash, hand held, horizontal orientation. Using AE Lock, the metering was done in the mid tone section of the plant, to alleviate highlights on the flower petals. Using the AE Lock and then re-composing, the photo is exposed quite evenly throughout, bringing out some of the detail in the shadows without clipping the petals, which were in full sunshine.

L2M1AS1 PART B:D P-MODE – WITH PROGRAM SHIFT FOR EXPOSURE COMPENSATION USING AE LOCK, NIKON D750, 50mm Prime, ISO250, f/5.6, 1/125, no flash, hand held, vertical.

L2M1AS1 PART B:D P-MODE – WITH PROGRAM SHIFT FOR EXPOSURE COMPENSATION USING AE LOCK, NIKON D750, 50mm Prime, ISO250, f/5.6, 1/125, no flash, hand held, vertical.

L2M1AS1 PART B:A P-MODE – WITH PROGRAM SHIFT FOR EXPOSURE COMPENSATION WITHOUT USING AE LOCK, HORIZONTAL, NIKON D750, 50mm Prime, ISO320, f/9.0, 1/320, no flash, hand held. The dark background has unduly influenced the exposure, resulting in  over exposing the sunlit flowers. NO alterations in LR to counter as this photo demonstrates the influence of dark backgrounds on sunlit subjects.

L2M1AS1 PART B:A P-MODE – WITH PROGRAM SHIFT FOR EXPOSURE COMPENSATION WITHOUT USING AE LOCK, HORIZONTAL, NIKON D750, 50mm Prime, ISO320, f/9.0, 1/320, no flash, hand held. The dark background has unduly influenced the exposure, resulting in over exposing the sunlit flowers. NO alterations in LR to counter as this photo demonstrates the influence of dark backgrounds on sunlit subjects.

L2M1AS1 PART C:B P-MODE, RULES OF ODDS, NEG SPACE, FLUORESCENT LIGHTING INSIDE, NIKON D750, 50mm PRIME, ISO5000, f/1.4, 1/50sec, WB3100. LR adjust, +.20 exp, +30 cont, +60 shad, reduction noise.

L2M1AS1 PART C:B P-MODE, RULES OF ODDS, NEG SPACE, FLUORESCENT LIGHTING INSIDE, NIKON D750, 50mm PRIME, ISO5000, f/1.4, 1/50sec, WB3100. LR adjust, +.20 exp, +30 cont, +60 shad, reduction noise.

L2M1AS1 PART A:B P-MODE, FROZEN MOTION FULL SUNLIGHT, DARK BACKGROUND, using EV (Exposure Compensation) Nikon D750, 62mm, ISO 1600, F/9.0, 1/1250 EV -1,0, Vertical, handheld, no flash.

L2M1AS1 PART A:B P-MODE, FROZEN MOTION FULL SUNLIGHT, DARK BACKGROUND, using EV (Exposure Compensation) Nikon D750, 62mm, ISO 1600, F/9.0, 1/1250 EV -1,0, Vertical, handheld, no flash.

L2M1AS1 PART D:A  AFTER SHOT - Adjust WHITE BALANCE

L2M1AS1 PART D:A AFTER SHOT - Adjust WHITE BALANCE

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