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Sob a moralidade que nos é imposta, a hipocrisia é a única forma de se esquivar de uma amarga dualidade: ou negar e reprimir o que se quer fazer, os desejos, os impulsos, ou realiza-los e ser mal visto, além de atormentado pela culpa. http://obviousmag.org/filosofia_de_esquina/2015/um-olhar-compreensivo-sobre-a-hipocrisia.html

Sob a moralidade que nos é imposta, a hipocrisia é a única forma de se esquivar de uma amarga dualidade: ou negar e reprimir o que se quer fazer, os desejos, os impulsos, ou realiza-los e ser mal visto, além de atormentado pela culpa. http://obviousmag.org/filosofia_de_esquina/2015/um-olhar-compreensivo-sobre-a-hipocrisia.html

Mask of Shame - Disgrace. Wrought Iron. German. Circa 1650. Who will wear the coveted Festivus mask? Smart money is on Meg, but you can never count KT out....

Mask of Shame - Disgrace. Wrought Iron. German. Circa 1650. Who will wear the coveted Festivus mask? Smart money is on Meg, but you can never count KT out....

1670s-1680s Polish Tankard at the State Hermitage Museum, St. Petersburg - Found via OMG that Artifact!

1670s-1680s Polish Tankard at the State Hermitage Museum, St. Petersburg - Found via OMG that Artifact!

Italian Renaissance Theatre developed in the courts of the nobility in settings that differed radically from those of the past. The invention of perspective painting in the 14th and 15th centuries led to painted scenery that attempted to create the illusion of reality. The most influential theatrical work of the Renaissance was the Second Book of Architecture, by Sebastiano Serlio (1545; Eng. trans., 1611).

Italian Renaissance Theatre developed in the courts of the nobility in settings that differed radically from those of the past. The invention of perspective painting in the 14th and 15th centuries led to painted scenery that attempted to create the illusion of reality. The most influential theatrical work of the Renaissance was the Second Book of Architecture, by Sebastiano Serlio (1545; Eng. trans., 1611).

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