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one of a kind large abstract artwork is textured with a mixture of acrylic paints, recycled glass, and resin coating to create a truly unique and serene abstract original. The painting has a glass coat layer of epoxy resin to add a thick high gloss sheen to piece. Looks beautiful in natural light!!  This Ikat pattern style painting includes shades of gray white, gold, purple iridescent glitter, and touches of silver and gold leaf.  This is a signed original gallery wrapped heavy duty canvas…

one of a kind large abstract artwork is textured with a mixture of acrylic paints, recycled glass, and resin coating to create a truly unique and serene abstract original. The painting has a glass coat layer of epoxy resin to add a thick high gloss sheen to piece. Looks beautiful in natural light!! This Ikat pattern style painting includes shades of gray white, gold, purple iridescent glitter, and touches of silver and gold leaf. This is a signed original gallery wrapped heavy duty canvas…

A magnificent show at the V&A reveals the genius of Christopher Dresser, the forgotten figure of the Victorian art world, says Richard Dorment.  "His approach to decorative ornament was to stylise natural forms, finding the underlying geometry of a plant or flower and then turning it into abstract or semi-abstract pattern."

A magnificent show at the V&A reveals the genius of Christopher Dresser, the forgotten figure of the Victorian art world, says Richard Dorment. "His approach to decorative ornament was to stylise natural forms, finding the underlying geometry of a plant or flower and then turning it into abstract or semi-abstract pattern."

Although the mantel remained, the overmantel in the master bedroom had been removed in the twentieth century. Shadows on the plaster provided clues for its recreation. Its shelves display a few of the Loebs’ Christopher Dresser-designed Minton vases. Richard Edward Miller’s Seated Lady with Red Hair hangs to the right.

Although the mantel remained, the overmantel in the master bedroom had been removed in the twentieth century. Shadows on the plaster provided clues for its recreation. Its shelves display a few of the Loebs’ Christopher Dresser-designed Minton vases. Richard Edward Miller’s Seated Lady with Red Hair hangs to the right.

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