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Gagosian, in 2003, with Cy Twombly, with whom he had a very close relationship.

Gagosian, in 2003, with Cy Twombly, with whom he had a very close relationship.

Cy Twombly and his wife in their home in Rome, Italy, 1966. Photographs by Horst P. Horst. They appeared in Vogue’s Book of Houses, Gardens, People published in 1968.

Cy Twombly and his wife in their home in Rome, Italy, 1966. Photographs by Horst P. Horst. They appeared in Vogue’s Book of Houses, Gardens, People published in 1968.

How I Collect: Cultural Entrepreneur Stefan Simchowitz on the Merits of Flipping, and Being a "Great Collector" | Artspace. We spoke to the early backer of Oscar Murillo and other market darlings about his collecting philosophy, the truth about SellYouLater, and his sci-fi theory of art.

How I Collect: Cultural Entrepreneur Stefan Simchowitz on the Merits of Flipping, and Being a "Great Collector" | Artspace. We spoke to the early backer of Oscar Murillo and other market darlings about his collecting philosophy, the truth about SellYouLater, and his sci-fi theory of art.

Picks: Collectors Susan and Michael Hort's 11 Favorite Works From the 2015 Basel Fairs | Artspace. The influential collectors Michael and Susan Hort tell us about their picks at each of the 2015 Basel fairs, including Liste, Volta, and Art Basel.

Picks: Collectors Susan and Michael Hort's 11 Favorite Works From the 2015 Basel Fairs | Artspace. The influential collectors Michael and Susan Hort tell us about their picks at each of the 2015 Basel fairs, including Liste, Volta, and Art Basel.

How I Collect: Michael Hort on How He Evolved Into a Collector of Influence | Artspace. We spoke to the renowned patron of emerging artists on how he first got into collecting, why he's troubled by today's art market, and the responsibilities that come with the power to make markets.

How I Collect: Michael Hort on How He Evolved Into a Collector of Influence | Artspace. We spoke to the renowned patron of emerging artists on how he first got into collecting, why he's troubled by today's art market, and the responsibilities that come with the power to make markets.

Cy Twombly in his Lexington, Virginia studio in 2010. Photo © Craig Pleasants

Cy Twombly in his Lexington, Virginia studio in 2010. Photo © Craig Pleasants

Chris Dercon, Direktor der Tate Gallery of Modern Art in London (Foto: dpa) „Das Künstlerprekariat sitzt in der Falle“  Wir kuratieren uns zu Tode: Chris Dercon über das Elend der Projektemacher, die Ghettos der Kreativen – und über die Frage, ob wir eine Revolution brauchen

Chris Dercon, Direktor der Tate Gallery of Modern Art in London (Foto: dpa) „Das Künstlerprekariat sitzt in der Falle“ Wir kuratieren uns zu Tode: Chris Dercon über das Elend der Projektemacher, die Ghettos der Kreativen – und über die Frage, ob wir eine Revolution brauchen

We followed along as the New York art dealer Dominique Lévy spent weeks and more than $300,000 preparing for Art Basel.

How a Dealer Prepares for the ‘Most Important’ Art Fair of the Year

We followed along as the New York art dealer Dominique Lévy spent weeks and more than $300,000 preparing for Art Basel.

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