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Prezi template with the business risk concept has an image of businessman made from icons walking on a high rope. Walking towards on a high is as a metaphor of overcoming adversity in strategy and finding leadership solutions.Download: Prezibase.com

Prezi template with the business risk concept has an image of businessman made from icons walking on a high rope. Walking towards on a high is as a metaphor of overcoming adversity in strategy and finding leadership solutions.Download: Prezibase.com

Players of #Uncharted4 seeing this 'Antananarivo Bell tower' image, made by #NaughtyDog ’s concept artist #NickGindraux, will vividly remember climbing the tower’s interior, and crushing it later on, in one of the most memorable scenes in gaming history. To properly deconstruct a bell tower in a video game, you need an intimate knowledge of its construction. To make it believable the concept and 3D modelling teams study properties of bells, construction beams, ropes and scaffolding…

Players of #Uncharted4 seeing this 'Antananarivo Bell tower' image, made by #NaughtyDog ’s concept artist #NickGindraux, will vividly remember climbing the tower’s interior, and crushing it later on, in one of the most memorable scenes in gaming history. To properly deconstruct a bell tower in a video game, you need an intimate knowledge of its construction. To make it believable the concept and 3D modelling teams study properties of bells, construction beams, ropes and scaffolding…

Namsa Leuba. In Leubas' work I feel emphasis is directed to artistic concept over fashion, while the images work in a fashion context, the composition and connection to the surroundings are the importance, rooting the image to the clothes the model and landscapes used. I see how her use of colour complements but also distinguishes focus, vivid blue fabrics playing with our ideas of ocean views and grey waters and rock formations reflecting the reality in the restrictive compositional ropes.

Namsa Leuba. In Leubas' work I feel emphasis is directed to artistic concept over fashion, while the images work in a fashion context, the composition and connection to the surroundings are the importance, rooting the image to the clothes the model and landscapes used. I see how her use of colour complements but also distinguishes focus, vivid blue fabrics playing with our ideas of ocean views and grey waters and rock formations reflecting the reality in the restrictive compositional ropes.

‘Hunting Humans’ Brings the Fringe to the Center  So much to take in:  “I’m reminded of the image of a group of Texas Rangers mounted on horseback, the ends of their rope tied around the ankles of three ‘Mexican bandits’ laying face down on the ground. Prized game. The image, captured near Brooks County a little over a century ago ... then as now, the concept of border security was woven from the dark thread of race.”

‘Hunting Humans’ Brings the Fringe to the Center So much to take in: “I’m reminded of the image of a group of Texas Rangers mounted on horseback, the ends of their rope tied around the ankles of three ‘Mexican bandits’ laying face down on the ground. Prized game. The image, captured near Brooks County a little over a century ago ... then as now, the concept of border security was woven from the dark thread of race.”

One of the first games that I really fell in love with and would spend hours playing.

One of the first games that I really fell in love with and would spend hours playing.

Time and time again I am faced with the question of how I take such amazing photos of children. So, what's the key? Well, it's actually pretty simple. Let the child be a child. Unlike most photographers who want to try to force a pose, I let the little ones give me their own pose and show me their own personality. The way I see it, when you have a client come to you wanting photos of their two year old, most the time they want photos of their child, not a robot. There is an openness to…

Time and time again I am faced with the question of how I take such amazing photos of children. So, what's the key? Well, it's actually pretty simple. Let the child be a child. Unlike most photographers who want to try to force a pose, I let the little ones give me their own pose and show me their own personality. The way I see it, when you have a client come to you wanting photos of their two year old, most the time they want photos of their child, not a robot. There is an openness to…

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