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When I dove into a theoretical approach to writing dialogue, I was pleasantly surprised the way to improve it is often through the structure of your scenes.

When I dove into a theoretical approach to writing dialogue, I was pleasantly surprised the way to improve it is often through the structure of your scenes.

Pilar Alessanda discusses how to create a range of interesting and original supporting characters for your story.

Party Pals and Doormat Dudes: Supporting Characters Gone Wild

The Holy Trinity of Sci Fi Storytelling: Science, Religion & Politics - Script Magazine

The Holy Trinity of Sci Fi Storytelling: Science, Religion & Politics

The Holy Trinity of Sci Fi Storytelling: Science, Religion & Politics - Script Magazine

HERO WORSHIP: The Ever-Evolving Protagonist - Does a hero always have to be likeable and noble? Jon James Miller explores the evolution of a complicated, ever-evolving protagonist.

HERO WORSHIP: The Ever-Evolving Protagonist

HERO WORSHIP: The Ever-Evolving Protagonist - Does a hero always have to be likeable and noble? Jon James Miller explores the evolution of a complicated, ever-evolving protagonist.

Script Editor Karol Griffiths gives 11 tips on how to establish a writing practice to help you achieve success in your career and the quality of your screenplays.

WHAT'S YOUR STORY: Creating a Successful Writing Practice

Script Editor Karol Griffiths gives 11 tips on how to establish a writing practice to help you achieve success in your career and the quality of your screenplays.

SELLING YOUR SCREENPLAY: ‘Dark Was The Night’ Screenwriter Tyler Hisel on Latest Film ‘Came Together’ - Tyler Hisel, screenwriter of the new horror / thriller film Dark Was The Night, talks about his early career and how he worked his way up to becoming a working screenwriter.

SELLING YOUR SCREENPLAY: 'Dark Was The Night' Screenwriter Tyler Hisel on Latest Film 'Came Together'

SELLING YOUR SCREENPLAY: ‘Dark Was The Night’ Screenwriter Tyler Hisel on Latest Film ‘Came Together’ - Tyler Hisel, screenwriter of the new horror / thriller film Dark Was The Night, talks about his early career and how he worked his way up to becoming a working screenwriter.

How Not to Write a Logline - Angela Bourassa, founder of LA Screenwriter and the Director of the LA Screenwriter Logline Competition, gives tips on how not to write a logline.

How Not to Write a Logline

How Not to Write a Logline - Angela Bourassa, founder of LA Screenwriter and the Director of the LA Screenwriter Logline Competition, gives tips on how not to write a logline.

How to write strong dialogue, from the TV series Fargo.

Fargo: Learn to Strengthen the Dialogue in Your Fiction

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