Sarah Verschoore

Sarah Verschoore

Sarah Verschoore
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Dolce and Gabbana Fall 2017 Couture vogue.com

Dolce and Gabbana Fall 2017 Couture vogue.com

1920's Opulent Gold-Lame Rhinestone Beaded Headpiece | From a collection of rare vintage hats at https://www.1stdibs.com/fashion/accessories/hats/

1920's Opulent Gold-Lame Rhinestone Beaded Headpiece | From a collection of rare vintage hats at https://www.1stdibs.com/fashion/accessories/hats/

By 1929 uneven hems and asymmetric skirt hemlines again helped the transition to longer skirts.  Longer sheer overskirts and semi sheer top skirts were worn over shorter linings.  By 1930 the hemline was several inches below the knee.

By 1929 uneven hems and asymmetric skirt hemlines again helped the transition to longer skirts. Longer sheer overskirts and semi sheer top skirts were worn over shorter linings. By 1930 the hemline was several inches below the knee.

Orange silk panné velvet evening coat, c. 1930-32.

Velvet evening coat c. The FIDM Museum velvet evening coat seen here is an enticing shade of rich, bright orange. During the and into the this particular color was sometimes called nasturtium after the orange flower of the same name.

ITALIAN STENCILED VELVET GOWN, 1920s. Dusty rose silk with asymmetrical stylized silver floral having short sleeve comprised of wide velvet bands and left side insert with ruching at waist with bow detail, neckline bound in metallic thread.

ITALIAN STENCILED VELVET GOWN, Dusty rose silk with asymmetrical stylized silver floral having short sleeve comprised of wide velvet bands and left side insert with ruching at waist with bow detail, neckline bound in metallic thread.

Opera coat, circa 1920s: Dove gray silk with Japanese-style hand embroidery. Padded and tufted stand-up collar, asymmetrical side closure with faux buckle. Via The Way We Wore/1st Dibs.

Opera coat, circa Dove gray silk with Japanese-style hand embroidery. Padded and tufted stand-up collar, asymmetrical side closure with faux buckle.