12th century Asia & Africa

12th century Asia & Africa
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Vika Bershadskaya
2319 Archéologie et Arts d'Orient | Lot n° 308 | Artcurial
Kilga, Egypt, 12th century, engraved marble, height 88 cm altogether, base width 48 cm, Benaki Museum, Athens
2319 Archéologie et Arts d'Orient | Lot n° 308 | Artcurial

12th century Africa

16 Pins
Five Bodhisattvas (fragment) Place: Tangut State of Xi-Xia Date: 12th - 13th century Place of finding: China Archaeological site: Khara-Khoto Technique: tangka on canvas Dimensions: 69x6 cm
A SELJUK OFFICIAL WAQF DOCUMENT IN SCROLL FORM, ANATOLIA, DATED RAMADAN 500/APRIL1107, WITH A LATER WITNESS STATEMENT DATED 887 AH/1482 AD
An early cotton textile fragment, Central Asia or Afghanistan, 12th-13th century, rectangular in cream and brown, depicting a section of two medallions containing birds with outstretched wings, the border with star formation and flowers to interstices, on a ground of larger flowers, mounted, panel 104cm x 24cm.   Provenance: Acquired on the London Art Market in 1990.

12th century Asia

176 Pins

1163-89 Kingdom of Dali Buddhist Volume of Paintings by Zhang Shengwen

43 Pins
宋 北京故宫博物院 （上下滑动即可查看） 中国十大传世名画之一，王希孟于 18 岁时创作。《千里江山图》吸收了晋唐青绿山水的“积色”语言,并结合了宋朝青绿山水的作画方法,形成了独具一格的画面。
宋 北京故宫博物院 中国十大传世名画之一。为北宋风俗画，北宋画家张择端仅见的存世精品，属国宝级文物，在中国乃至世界绘画史上都是独一无二的。在宽 24.8 厘米、长 528.7 厘米的长卷中采用散点透视构图法，生动记录了中国十二世纪北宋都城东京（又称汴京，今河南开封）的城市面貌和当时社会各阶层人民的生活状况。
宋 北京故宫博物院 中国十大传世名画之一。为北宋风俗画，北宋画家张择端仅见的存世精品，属国宝级文物，在中国乃至世界绘画史上都是独一无二的。在宽 24.8 厘米、长 528.7 厘米的长卷中采用散点透视构图法，生动记录了中国十二世纪北宋都城东京（又称汴京，今河南开封）的城市面貌和当时社会各阶层人民的生活状况。

12th century China

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China, Song dynasty 宋 960-1279 Jade Sculpture Lady 17.6 cm high. Purchased in a cultural relics store, it may be a Taoist lady figure (text source: Exhibition card) Yantai City Museum Collection
Mahāsthāmaprāpta. Jin (1115-1234) H 127 cm Lacquered, coloured and gilded wood. Shanghai. Shanghai Museum. Mahāsthāmaprāpta is a bodhisattva mahāsattva who represents the power of wisdom. His name literally means "arrival of the great strength". Mahāsthāmaprāpta is one of the 8 Great Bodhisattvas in Mahayana Buddhism, along with Mañjuśrī, Samantabhadra, Avalokiteśvara, Ākāśagarbha, Kṣitigarbha, Maitreya & Sarvanivarana-Vishkambhin.In Chinese Buddhism, Mahasthamaprapta is sometimes portrayed as a woman, Dashizhi, with a likeness similar to Avalokiteśvara (known as Guanyin in China)
想不到你是这样的山西

12th century China sculpture

52 Pins
北山佛湾第 136 号转轮经藏窟如意珠观音
Cernuschi Museum 20060812 117 - Category:Song, Liao, Jin, and Western Xia dynasties in the Musée Cernuschi - Wikimedia Commons
A PAIR OF TWO VERY-IMPORTANT FINELY CARVED AND PAINTED WOOD STANDING BODHISATTVA, JIN DYNASTY, 12TH - 13TH CENTURY｜Poly Auction Hong Kong

12th century Guanyin China

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_金大受_罗汉图
e-Museum - The Eleventh Saint

12th century China Buddhist & Taoist paintings

132 Pins
北宋_赵佶_写生珍禽图_0
北宋_赵佶_写生珍禽图_3
北宋_赵佶_写生珍禽图_1

Birds & flowers Pictures 12th century China

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采薇图》宋 李唐 绢本墨笔 纵27厘米 横90厘米 北京故宫博物院藏
南宋_李唐_宋雪江图
Attributed to Li Tang (傳)李唐 | Hermits among Woods and Spring 林泉高逸圖 | Fine Classical Chinese Paintings | 2023 | Sotheby's

Li Tang (李唐; c.1050/66-c.1130/50) 12th century China

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南宋 梁楷 耕织图卷25×210 克里夫兰艺术博物馆_1
南宋 梁楷 耕织图卷25×210 克里夫兰艺术博物馆_2
南宋 梁楷 耕织图卷25×210 克里夫兰艺术博物馆_3

Liang Kai (梁楷 c.1140/50-c.1210) 12th century China

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南宋_刘松年_万仙朝真图卷_4
南宋_刘松年_万仙朝真图卷_3
南宋_刘松年_万仙朝真图卷_2

Liu Songnian (刘松年 / Liu Sung-nien, act. 1174-1224 / ca 1131-1218/25) 12th-13th century China

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Souquee-Led by the Song Dynasty's "Soldier", the Forbidden City presents "all living beings and various states" in the figure paintings of the past dynasties
The characters' clothing patterns are elegant and tactful, the writing and closing are relatively thin, and the middle swivel is thicker. The house does not seek to be meticulous, the tree and stone are outlined with a thick pen, and the leaves are mostly double-checked, slightly rendered, and do not seek similarity in shape. In the paintings with the theme of "July", the painter not only adopts the life of the peasants in it, but more importantly, the longing for the ancient simple folk customs
宋 北京故宫博物院 根据苏轼文�学名篇《后赤壁赋》内容创作，形象地再现了赋文内容，画后接有宋高宗的草书《后赤壁赋》。马和之深受皇帝赏识，绘画风格有其独特之处，人物线条所用笔法被后人称为“蚂蟥描”。

Ma Hezhi 马和之 (12th c.) 12th century China

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南宋_马远_松寿图
南宋_马远_溪山无尽图_1_3
南宋_马远_溪山无尽图_1_1

Ma Yuan 馬遠 / 马远 (active late 12th-early 13th c.) 12th century China

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The Art and Science of Elephants | Smithsonian Institution
宋_苏汉臣_灌佛戏婴图
北宋_苏汉臣_宋古佛像图

Su Hanchen 苏汉臣 (1094-1172) 12th century China

38 Pins
宋 北京故宫博物院 赵伯骕唯一存世的画迹是《万松金阙图》卷，幅上虽无作者款印，但后纸有宋宗室后裔元代赵孟頫的鉴定题记，将此作定为赵伯骕的奉敕之作。该图的出现，标志着宋代山水画的表现对象从北方雄浑的山川转移到江南的青山绿水。
南宋_赵伯驹_禹王治水图_0_2
南宋_赵伯驹_禹王治水图_1_0

Zhao Boju (赵伯驹; ca 1120-ca 1182) & Zhao Bosu 赵伯骕 (1124-1182) 12th century China

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澄灵塔。 位于正定府临济寺内。矗立于八角形台基上，塔身高而细长，共九层，塔刹高耸，呈圆锥形，上有九层金属相轮。塔檐相距很近，装饰华丽。高高的塔基上环绕着莲花瓣，宝塔就像矗立在花萼中。寺庙建于东魏，但塔很有可能于明朝正德十六年（公元1521年）重建，后来也曾经修复过。该塔又被称为青塔，以便与同样位于正定府的木塔、砖塔和花塔相区分。
白马寺塔。 位于河南府以东约10英里处。据说白马寺是为了纪念公元57年将佛教传入中国的两位印度僧人而建。北魏时期这里就有过一座塔，现在的这座明显是后来建造的。它吸收了唐朝塔的一些特点，后来又经�过修补。塔身为四方形，共有13层，以飞檐隔开，与前文陕西的那些8—9世纪的塔类型相同。
安徽蒙城万佛塔（北宋崇宁七年，1108年） 蒙城万佛塔为八角十三层砖塔，各层平、剖面均不同，结构、构造形式异彩纷呈。通过对《中国古代建筑史 第三卷：宋、辽、金、西夏建筑》（第二版，2009）一书中实测图进行几何作图以及实测数据分析，可得如下结论。

12th century Places China

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『金光明最勝王経』と金字宝塔曼荼羅①～はじめに～の画像
The Bodhisattva Fugen (Fugen Bosatsu) - National Museum of Asian Art
Kofuku-ji Mandala - Kyoto National Museum KNM Collection Database

12th century Japan

127 Pins
Standing Fudo Myoo (Acala) - Kyoto National Museum KNM Collection Database
Клуб любителей буддийской скульптуры (BAC): Посмотрите «Специальную выставку Кайкей» на выставке Nara Expo!!
1.密迹金剛力士(みっしゃくこんごうりきし)

12th century Japan sculpture

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Nyoirin Kannon, the Bodhisattva of Compassion with the Wish-Granting Jewel and the Magic Wheel
Burke Collection | Kannon Bosatsu (観音菩薩)
重要文化財｜千手観音像｜奈良国立博物館

12th century Japan Guanyin / Kannon

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12th century Rulers

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China: A door guardian of Hu nationality. Detail of a mural in the tomb of Zhang Kuangzheng, Xuanhua, Hebei, Liao Dynasty (1093-1117).
'Hebei' images and/or videos results
'Hebei' images and/or videos results

People of the 12th century

41 Pins
- Benaki Museum
Title Limepot Year/Period 12th-13th centuries Region Cambodia Material Stoneware Technique Wheel-thrown, hand-modelled and incised Dimension Object size: H32.0 x Dia7.0 cm Accession No. C-1435
Jar

12th century Ceramic Asia

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late 12th-early 13th c. Bowl with Enthroned Figure and Horsemen Country of Origin Iran Stonepaste; glazed in opaque white, overglaze-painted H 8.3 cm Diam 20 cm Wt 365.8 g Acc. 57.36.3 The Metropolitan Museum of Art.The enthroned ruler is a favorite theme in late Seljuq & post-Seljuq art. Surrounding him here are attendants and horsemen hunting with falcons & trained cheetahs-imagery associated with kingship& aimed at augmenting its potency. Peacocks were also considered regal because of the astral symbolism of their feathers’ “eyes”& were commonplace in royal gardens due to their presumed presence in Paradise.A popular belief associating rulers with blessings may explain the appeal of such imagery on objects used beyond the realm of the court.
En céramique siliceuse à décor de lustre métallique sur glaçure stannifère opaque blanche et rehauts de cobalt et turquoise. Bandes calligraphiques disposées en croix et entourées de motifs végétaux. Glaçure bleue au revers. Fractures, bouchage au bord. Diam.: 17,7 cm Provenance : Étiquette : Art céramique ancien - Nicolier, Expert, 7 Quai Voltaire, Paris (années 1960) SVV Cuvreau, St Paul-les-Dax, 21 juin 2009 : n°145 (ill.) Collection particulière de Monsieur W., Paris
3699 Archéologie & Arts d’Orient | Lot n° 64 | Artcurial

12th century Bowl, Cup & Dish Ceramic Asia

138 Pins
Познакомьте вас с потрясающими вазами с древних времен до наших дней - Daily Headlines
青白釉是景德镇在宋代的主要产物，因釉色白中带青，故称青白釉、影青或隐青。其形式或受北宋御用定窑白瓷影响，之后因元代祟白，更成为宫廷及民间重要产物之一。
青白釉是景德镇在宋代的主要产物，因釉色白中带青，故称青白釉、影青�或隐青。其形式或受北宋御用定窑白瓷影响，之后因元代祟白，更成为宫廷及民间重要产物之一。

12th century Ceramic China

142 Pins
12th C.CIZHOU GREEN-GLAZED AND IRON-BLACK-BROWN-PAINTED & INCISED 'PEONY' BALUSTER VASE.Northern Song-Jin Dynasty.The globular body with high shoulders below a tall widely flaring trumpet neck&supported on a spreading circular foot,brilliantly incised&painted in an iron-black-brown oxide to opposite sides of the body with a full blossoming peony flowerhead borne on a leafy scrolling stem at the mid body culminating in a large palmette-like leaf on the neck,the spreading foot incised 29.5cm

12th c. Ceramic Cizhou kiln China

174 Pins